These two potential poems revolve around each other, separating and overlapping like clouds in a way that leaves neither reading perfectly visible. The roads represent possible career choices. But Frost likely left this ambiguity on purpose so that the reader would not focus so much on condition of the road, and, instead, focus on the fact that he chose a road any road, whether it was that which was less traveled by or notand that, as a result, he has seen a change in his life.
It certainly made "all the difference," but Frost does not make it clear just what this difference is. In this case, we have what seems like the most straightforward preposition imaginable: Would that be possible?
Perhaps not, life has a way of letting one thing leading to another until going backwards is just no longer an option. Two distinct objects may, by being dexterously presented, again and again in quick succession, to the mind of a cursory reader, be so associated together in his thoughts, as to be conceived capable…of being actually combined in practice.
This reading of the poem is subtly different from, and bolder than, the idea that existence is merely subject to the need to make decisions.
It staggered me to think that perhaps I had always missed what made poetry poetry. Precisely who is not doing the taking? So, the tone is meditative. More than that, he wanted to juxtapose two visions—two possible poems, you might say—at the very beginning of his lyric.
Frost wanted readers to ask the questions Richardson asks. But who knows what the future holds down the road? Other poetic devices include the rhythm in which he wrote the poem, but these aspects are covered in the section on structure.
On reflection, however, taking the road "because it was grassy and wanted wear" has made all the difference, all the difference in the world. He wants to travel both, and is "sorry" he cannot, but this is physically impossible.
Ever since infancy I have had the habit of leaving my blocks carts chairs and such like ordinaries where people would be pretty sure to fall forward over them in the dark. Which way will you go? It is the hallmark of the true poet to take such everyday realities, in this case, the sighs of a friend on a country walk, and transform them into something so much more.
This inevitably meant writing about nature, since there was little else to write about. All the speaker knows is that he prefers the road less travelled, perhaps because he enjoys solitude and believes that to be important.
The fork is a metaphor for a life-altering choice in which a compromise is not possible. Forward, you understand, and in the dark.
I took the one less traveled by, And that has made all the difference. At the moment of decision-making, both roads present themselves equally, thus the choice of which to go down is, essentially, a toss up—a game of chance.
Robert Frost- Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black.
The metaphor is activated. There is no evidence that Frost ever contemplated doing so, in agony or otherwise.
Oh, I kept the first for another day! The act of choosing changes the person making the choice. With that, we are left to wonder how Frost knew the road he took was the one less traveled by. Yet, as the scholar George Monteiro observes: Robert Frost wrote this poem to highlight a trait of, and poke fun at, his friend Edward Thomas, an English-Welsh poet, who, when out walking with Frost in England would often regret not having taken a different path.
What is fallacious in an argument can be mesmerizing in a poem. Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler.
Life is largely a matter of making choices at what William James, the distinguished American philosopher and psychologist, brother of the great fiction writer Henry James, called "crossroads situations.
I shall be telling this with a sigh Somewhere ages and ages hence: This is true even of its first line. The title itself is a small but potent engine that drives us first toward one untaken road and then immediately back to the other, producing a vision in which we appear somehow on both roads, or neither.
Life is a mystery when we are young, and instead of getting less mysterious as we grow older, it gets more and more mysterious. Two roads diverged in a yellow wood, And sorry I could not travel both This simple looking poem, mostly monosyllabic, has a traditional rhyme scheme of ABAAB which helps keep the lines tight, whilst the use of enjambment where one line runs into the next with no punctuation keeps the sense flowing.
But if you think of the poem not as stating various viewpoints but rather as performing them, setting them beside and against one another, then a very different reading emerges. As the scholar Mark Richardson puts it:The Road Not Taken by Robert killarney10mile.com roads diverged in a yellow wood And sorry I could not travel both And be one traveler long I stood And looked down one as far as I could To where.
Page/5(). The Poem's Theme 'The Road Not Taken' is more than a poem about someone trying to decide which road he's going to take on a stroll through the woods. We don't know what life decision the. Feb 17, · Robert Frost and "The Road Not Taken" "The Road Not Taken" is an ambiguous poem that allows the reader to think about choices in life, whether to go with the mainstream or go it alone.
If life is a journey, this poem highlights those times in life when a decision has to be made. Which way will you Reviews: 5. The mood or tone of Robert Frost's poem "The Road Not Taken" can perhaps be best described by the word nostalgia.
It means looking back on the past with sentimental emotions. The poem can be. Life's Decisions Explored in The Road Not Taken, by Robert Frost Words 4 Pages Robert Frost’s “The Road Not Taken”, when first read on a very simple level appears to be a poem about a man’s decision on whether to take one road or the other.
The Road Not Taken – A Reflection On Decision-Making When I dropped my kids off at school last week, I went into my daughter’s classroom to have a look at some of the things she’d been working on.Download